The punch line is the first victim
— REVIEW of ’22 Short Plays’ | Marginaliaan almost vicious refusal to permit its audience to become bored.
— REVIEW of ‘SOMA’ | Marginaliaan all-out assault on good taste
— REVIEW of ‘Unsex Me’ | Marginaliaa funny, thoughtful, and caustic encapsulation of normative society
— Review | SOMA | Festival FreakMKA is creating theatre to change the course of theatre
— REVIEW of ‘The Economist’ | XS Entertainment[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="grid" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="1/4"][vc_single_image image="17419" img_size="full" alignment="center" qode_css_animation=""][vc_empty_space height="16px"][/vc_column][vc_column width="1/2" css=".vc_custom_1502375524295{padding-right: 55px !important;padding-left: 55px !important;}"][vc_row_inner row_type="row" type="full_width" text_align="left" background_color="#ffffff" css_animation="" css=".vc_custom_1518250373507{border-top-width: 3px !important;border-right-width: 3px !important;border-left-width: 3px !important;background-color: #d6d6d6 !important;border-left-color: #0a0a0a !important;border-left-style: solid !important;border-right-color: #0a0a0a !important;border-right-style: solid !important;border-top-color: #0a0a0a !important;border-top-style: solid...
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Who, really, I mean, really, could give a flying f..k?
— REVIEW of ‘The Unspoken Word is ‘Joe” | Kevin Jackson’s Theatre Diary