“Wildly experimental and wildly entertaining.”
DAILY REVIEW (AU)
“Theatrical saboteurs…
A surreal and satirical rage against the machine, that rips up all the rules.”
THE AGE (AU)

“Frenzied, subversive, anti-theatre explosion of energy that hits you hard.”
THE MUSIC (AU)
“An ideal snapshot of postmodern theory in theatrical form.”
REALTIME ARTS (AU)
“Raw, passionate, and daring.”
THE TIMES (UK)

“Poor theatre at its best…
a wicked take on political delusion.”

THEATRENOTES (AU)
“It’s different, it’s funny, it’s wilfully intelligent and furious at social inequity.”
CASSIETONGUE (AU)
“Theatre that runs and slams itself against the very limits of convention.”
LONDONIST (UK)
“A punk grandeur.”
LONDONTHEATRE-1 (UK)
“A chaos that’s alive.”
AUSSIETHEATRE (AU)
“Avant-garde darlings.”
ACROSS THE AISLE (AU)

MKA

Anti-establishment since 2010.

Hey, Playwright!

JAN-FEB, 2022

Trash Pop Butterflies, 
Dance Dance Paradise

Maki Morita

FEB, 2022

The Monster’s Kind

Ty Liebelt

FEB-MAR, 2022

Ways to Drown a Fish

Stella Webster

MAR, 2022

The Seventh Day

Barcode People

JAN, 2022

All Die
Supermarket

Caragh Brooks

MAR, 2022

Birdmen
Anonymous

Tenfingerz + Luckytobie

MAR, 2022

Gobblin’

Sarah Seahorse

& Sebastian Berto

TBA, 2022

Nobody Special

those manderson-galvins